阿吽：万物之初与尽

The Japanese scientist Sekai [=the world], seeking a bright future for mankind, invents a motor that burns water. His wife Hikari [=the light], dies when giving birth to their son Aun [the beginning and the end of all things]. As a toddler Aun discovers an unusual sea snail at the beach. Sekai uses it for experiments involving his own body, which ultimately kills him. Twenty years later Euclides [=number theorist], a deaf scientist from Brazil’s capitol – the modernist Brasília – carries on Sekai’s experiments. He believes the sea snail to be the missing link to a livable future and therefore asks his wife Nympha [=pupal stage of butterfly] to find Aun. She takes on an ancient Japanese card game with the Japanese yakuza as she discovers that Aun used to gamble in Tokyo. Fairies from the woods send her an elf messenger who leads her to Aun – now serving as a priest in a Shinto shrine. Infatuation takes a hold of them. Nympha enters the world Sekai had envisioned. Euclides, by now in trouble with the sponsors of his project gets his wife to lead him to Aun’s shrine. As they arrive Aun – aged dramatically – hands the sea snail to Euclides. Delighted the latter carries out experiments while his wife tries to find a way back to the world she’d been able to experience. Euclides rejoices as he believes to having succeeded in creating ‘the future’. The fairies put a spell on him. Euclides dies. With his last breath he exhales a substance that makes the world vanish from the universe.‘AUN – the beginning and the end of all things’ tells the story of mankind’s quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the 21st century has taken over the entire world and has succeeded in maneuvering the globe into a situation that can’t be solved by means of economics and science anymore. Enlightenment’s merits have taken the West’s ability to sense what is not to be seen, what is only to be felt. Believes are so much more than religion, than monotheistic concepts. Souls and spirits exist not only in film. Denial and neglect of eternal laws lead to extinction – of the individual and the entire human race. AUN invents rituals as well as mythologies and worships the creator of it all – nature – by playfully laying out its dichotomy with human culture. The film equals mankind’s beauty with nature by announcing that ‘everything mankind creates in nature’. Sadly the hubris ends and gives the audience the chance to heartily weep for the world.

阿吽：万物之初与尽电影镜头分析

（注：内容有剧透，请慎入）韩寒的《飞驰人生》设定了一个英雄式的结局：多年没有再训练的车手，加上一台缺零少件的车，一路逆袭最终助团队拿到冠军，圆了《飞驰人生》中未竞的梦想；而贾玲的《热辣滚烫》则是小人物式的结局：业余拳击选手对战专业选手，目标是打完全场并击中对方一次；即使比赛败了，但是贾玲在心里给自己发了个奖章，告诉自己「我赢了」。作为小人物，不得不说，我对于《热辣滚烫》的结尾处理是有偏爱的：《飞》的结局对我来说太奇迹也太完美，离我的现实生活过于遥远；《热》所代表

阿吽：万物之初与尽免费完整版

在我眼里，烂片一直是分两种情况。一种是糊弄事的烂，这种洗钱一样的玩意往往会烂出些幽默感。另一种是一本正经的烂，后者毫无疑问最让人胆寒，因为它让人完全笑不起来而且烂到流汤。非常不幸，《蜘蛛夫人：超感觉醒》可以说是一本烂中的翘楚了，我抱着食粪者的心态去看看这部电影是有多么亵渎，换来的也是如坐针毡的两小时拷打，体验犹如一场电影酷刑。整个故事开场于亚马孙雨林，一伙人正在寻找一种能让人变强变壮的神奇蜘蛛。不过，这一切情节都无所谓，这个后面再说。而当情节发展到蜘蛛人出来救人时，那

阿吽：万物之初与尽电影详情

与其说这是一个人的死亡所引发的坠落分析，不如说是通过语词逐字逐句对一对夫妻，她们的关系、个性、孩子、工作、作品的分析，由此可见，连庭审如此代表威严公平正义的场合，追求的都不是客观事实，而是借由物证和人证还原的法律事实，法律事实的碎片牵引了法官和陪审团的内心自证，她们审判她有罪无罪。只言片语不能定一个人的罪，在任何情况下，那是一种暴zheng。宣传喉舌污染语言，短视频缩减深度，影片给所有人上了一堂语言课，“意外死亡的审判”构成必要性，嫉妒她们奢侈地用所有人的时间去

阿吽：万物之初与尽百度网盘

自从年开始为电影杂志写影评，时光匆匆已过了年，我也由一个初出茅庐的电影青年蜕变为一个三十多岁的电影中年。然而，我仍然在影评的道路上执着前行，尽管我仍然是默默无闻的一员。在这十年间，我经历了许多变迁。从一个自我膨胀、追求潮流、愤世嫉俗的眼球剥夺者，我逐渐转变为一个从自我出发的电影笔者。在这过程中，我逐渐地意识到影评的价值和所有的艺术作品一样，不再是简单地刺激读者，而是鼓励和启发我们朝着那个遥远的真实自我前进。我不禁思索，《热辣滚烫》这部电影的作者贾玲是否受到了《百元